Valentino’s final couture assortment was an instance of true decadence. Set in a gilded galleria, presenting gilded robes, gilded nine-inch heels, and even gilded visages, the opulence was overt. In stark distinction, artistic director Pierpaolo Piccioli’s fall choices are subdued. The designer opted for a quieter runway, whispering in candy nothings. In some ways, Piccioli aimed to faucet into not solely what we collectively want as customers of trend, however what we miss as a society: Tradition.
An homage to town of Milan, the present was staged on the Piccolo Theatre, an envoy of the nation’s wealthy relationship to Italian theater. With lockdowns of public areas occurring worldwide, selecting to reopen the theater to current Valentino’s audience-less runway serves as a hopeful reminder of the humanities we hope to take pleasure in as soon as the pandemic abates. As acknowledged in its press launch, Valentino sees it as “a daring, virtually punk gesture,” to decide on the venue. Given Valentino’s signature rockstuds, the choice selection is sensible.
We have grow to be accustomed to Piccioli’s penchant for vibrant fuchsia and the home’s iconic Valentino purple, however this assortment’s monochromatic coloration scheme invited us to a brand new sense of intimacy. The garments offered a game of transparency, closely that includes laser reduce textiles and sheer washes of lace, shielding and exposing the physique concurrently. It is a leggy runway, exacerbated by slashed, micro hemlines and a welcome return to pointy stilettos. Intentional layering and crisp silhouettes make his imaginative and prescient clear. Not a collar feels misplaced. It is a refreshing palette cleanser that encourages us to mirror on the small print, about which there’s a lot to suppose.
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Henry Davidson has been the senior editor at Wahu Times since 2018. A two-decade veteran of journalism, Henry’s work has appeared in the NPR, Examiner, The Sun and numerous other publications. He is a member of the United Media Guild.