The artwork seller, the £10m Benin Bronze and the Holocaust

This Benin Bronze offered to a non-public collector for a file payment of £10m

Numerous historic artefacts had been looted from around the globe throughout the colonial period and brought to Europe however there’s now a rising marketing campaign to return them. Among the many most well-known are the Benin Bronzes seized from modern-day Nigeria. Barnaby Phillips finds out about one household’s dilemma.

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One morning in April 2016, a lady walked into Barclays Financial institution on London’s unique Park Lane, to retrieve a mysterious object that had been locked within the vaults for 63 years.

Attendants ushered her downstairs. Three males waited upstairs, perched anxiously on an uncomfortable couch, watching prospects go about their enterprise.

Twenty minutes later the girl appeared, carrying one thing coated in an previous dishcloth. She unwrapped it, and everybody gasped.

A youthful face solid in bronze or brass stared out at them. He had a beaded collar round his neck and a gourd on his head.

The lads, an artwork seller referred to as Lance Entwistle and two consultants from the auctioneers Woolley and Wallis, recognised it as an early Benin Bronze head, maybe depicting an oba, or king, from the sixteenth Century.

It was in near-immaculate situation, with the darkish gray patina of previous bronze, very similar to a recent piece from the Italian Renaissance. They suspected it was value thousands and thousands of kilos. The financial institution workers rapidly led them right into a panelled room, the place they positioned the pinnacle on a desk.

The lady who went down into the vaults is a daughter of an artwork seller referred to as Ernest Ohly, who died in 2008.

I’ve chosen to name her Frieda and never reveal her married title to guard her privateness.

Ernest’s father, William Ohly, who was Jewish, fled Nazi Germany and was outstanding in London’s mid-century artwork scene.

Programme covers from William Ohly's Primitive Art exhibitions in the late 1940s

William Ohly’s exhibitions within the late Forties attracted aesthetes and celebrities

William Ohly lived “on the nexus of tradition, society and artists”, says Entwistle.

His “Primitive Artwork” exhibitions attracted collectors, socialites, and artists resembling Jacob Epstein, Lucian Freud, Henry Moore, Francis Bacon, Duncan Grant and Vanessa Bell.

He died in 1955. Ernest Ohly inherited his love of artwork, however was a extra reserved character.

“A really, very troublesome man to know. He did not let something out. You didn’t know what he was considering,” stated Entwistle.

Ernest Ohly’s dying provoked a ripple of pleasure on the profitable high finish of the ethnographic artwork world. He was rumoured to have an intensive assortment. His statues from Polynesia and masks from West Africa had been auctioned in 2011 and 2013. And that, sellers assumed, was that.

However his kids knew in any other case. In previous age, he had instructed them he had yet another sculpture. It was in a Barclays secure field and to not be offered, he specified, until there was one other Holocaust.

In 2016 issues had been taken out of the youngsters’s palms. Barclays on Park Lane was closing its secure bins; it instructed prospects to gather their belongings.

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I met Lance Entwistle in 2019, in his library lined with books on African sculpture. His web site stated his firm has been “main tribal artwork sellers for over 40 years”.

“Tribal artwork” is a time period that Western museums now keep away from, however continues to be frequent on this planet of auctions and personal gross sales.

"I was bowled over. It was beautiful, moving and its emergence from obscurity was so exciting"", Source: Lance Entwistle, Source description: Art dealer on the "Ohly head" sold to a collector for £10m, Image: Lance Entwistle

“I used to be greatly surprised. It was lovely, transferring and its emergence from obscurity was so thrilling””, Supply: Lance Entwistle, Supply description: Artwork seller on the “Ohly head” offered to a collector for £10m, Picture: Lance Entwistle

Entwistle has not often been to Africa, and by no means to Nigeria, however he is properly linked. The British Museum, the Musée du Quai Branly in Paris and the Metropolitan in New York have all purchased items from him.

I requested him how he had felt when Frieda pulled the fabric away from the Benin Bronze head within the financial institution.

“I used to be greatly surprised,” he stated. “It was lovely, transferring, and its emergence from obscurity was so thrilling. I am very used to being instructed a few Benin head, a Benin plaque, a Benin horse and rider. Typically I am not excited as a result of 99 occasions out of 100 they’re pretend, and sometimes the remaining 1% has been stolen.”

Provenance is the whole lot in Entwistle’s world. This time, due to the Ernest Ohly connection, he was assured he was coping with a bona fide piece.

He instructed Frieda the Benin Bronze head was important and weird, and satisfied her to take it house in a taxi, to her terraced home in Tooting, south London.

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The Benin Bronzes had been dropped at Europe within the spring of 1897, the loot of British troopers and sailors who conquered the West African kingdom of Benin, in modern-day Nigeria’s Edo state.

Though they’re referred to as Benin Bronzes, they’re truly hundreds of brass and bronze castings and ivory carvings. When some had been displayed within the British Museum that autumn, they induced a sensation.

Map showing ancient Benin kingdom

Map exhibiting historic Benin kingdom

Africans, the British believed on the time, didn’t possess expertise to provide items of such sophistication or magnificence. Nor had been they imagined to have a lot historical past.

However the bronzes – some portrayed Portuguese guests in medieval armour – had been evidently a whole bunch of years previous.

"They were our documents, our archives, the 'photographs' of our kings. When they were taken our history was exhumed"", Source: Victor Ehikhamenor, Source description: Nigerian artist about the Benin Bronzes, Image: Victor Ehikhamenor

“They had been our paperwork, our archives, the ‘images’ of our kings. After they had been taken our historical past was exhumed””, Supply: Victor Ehikhamenor, Supply description: Nigerian artist concerning the Benin Bronzes, Picture: Victor Ehikhamenor

Benin had been denigrated in British newspapers as a spot of savagery, a “Metropolis of Blood”. Now these newspapers described the Bronzes as “stunning”, “exceptional” and admitted they had been “baffled”.

A few of these bronzes are nonetheless owned by descendants of those that pillaged Benin, whereas others have handed from proprietor to proprietor.

Victor Ehikhamenor, an artist from Edo state, instructed me the bronzes weren’t made just for aesthetic enjoyment.

“They had been our paperwork, our archives, the ‘images’ of our kings. After they had been taken our historical past was exhumed.”

However as their worth within the West has elevated, they’ve additionally turn into status investments, held by the rich and reclusive.

London public sale gross sales inform the story. In 1953, Sotheby’s offered a Benin Bronze head for £5,500. The value raised eyebrows; the earlier file for a Benin head was £780.

In 1968 Christie’s offered a Benin head for £21,000. (It had been found months earlier by a policeman who was pottering round his neighbour’s greenhouse and observed one thing fascinating amidst the crops).

Within the Nineteen Seventies, “Tribal Artwork” costs soared, and Benin Bronzes led the way in which. And so it went on, all the way in which to 2007 when Sotheby’s in New York offered a Benin head for $4.7m (£2.35m).

Entwistle saved an eye fixed on that 2007 sale. The client, whose id was not publicly revealed, was one in all his trusted purchasers.

9 years later, introduced by Frieda with the problem of promoting Ernest Ohly’s head, Lance knew the place to show.

“It was the primary shopper I provided it to, which is what you need, there was no want to buy round,” he stated.

There was solely a minor haggle over worth. The shopper, Entwistle insisted, was motivated by his love of African artwork.

“He won’t ever promote, in my opinion.” Whoever he’s, wherever he’s, he paid one other world file payment.

The “Ohly head”, as Entwistle calls it, was offered for £10m – a determine not beforehand disclosed.

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For those who envisaged the girl who offered the world’s costliest Benin Bronze, you may not provide you with Frieda.

We met within the Tate Trendy gallery, overlooking the Thames. She had travelled from Tooting by underground. She is a grandmother, with gray close-cropped hair and glasses. She used to work in kids’s nurseries, however is retired.

“My household is riddled with secrets and techniques,” she stated. “My father refused to talk about his Jewish ancestry.”

She did her personal analysis on kin who had been killed in Nazi focus camps. Ernest Ohly was haunted, “paranoid”, says Frieda, by the prospect of one other disaster engulfing the Jews.

Six million Jews had been murdered throughout the Holocaust – and, in accordance with the Jewish Claims Convention, the Nazis seized an estimated 650,000 artworks and non secular gadgets from Jews and different victims.

A bronze sculpture showing a scene from the colonial era in Benin City, Niger - 2004

The artworks produced in Benin Metropolis nonetheless search to chronicle occasions – like this one depicting the slave commerce

Ernest Ohly distrusted strangers and lived in a world of money and secret objects. He saved a suitcase of £50 notes underneath the mattress.

“Ernie the Seller” was the household nickname. The youngsters grew up surrounded by artwork. However by the tip he was uninterested in life.

His home was chaotic, his Persian rugs infested with moths. The household discovered the suitcase of banknotes however found they had been now not authorized tender.

Ernest Ohly could have let issues slide, however he had been a formidable collector.

“He and my grandfather by no means went to Africa or the South Pacific, however acquired their data from being round objects,” stated Freida.

“There was an entire group of European sellers in London, within the Forties via to the Nineteen Seventies.”

The British Empire was ending, and the deaths of its final directors and troopers introduced wealthy pickings.

“I by no means understood why my father was so concerned about studying obituary pages. The Telegraph, the Instances, actually finding out them. In the event that they had been Overseas Workplace, armed forces, something to do with Empire, he wrote to the widows.”

Ernest Ohly listed his buys in ledger books. That is how Entwistle discovered what he was searching for: “Benin Bronze head… Dec 51, £230” from Glendining’s – a London auctioneers the place he additionally purchased cash and stamps.

Ernest Ohly's ledger showing the price he paid for the Benin Bronze

Ernest Ohly’s ledger confirmed how a lot he paid for the Benin Bronze in 1951

In in the present day’s cash, that’s simply over £7,000. In different phrases, a considerable buy. However Ernest Ohly knew what he was doing. He had a steal. He put the pinnacle within the secure field in 1953, and it stayed there till 2016.

“It was like a lump of gold,” stated Frieda. The windfall was not fairly as giant because it might need been.

Ernest Ohly’s affairs had been a multitude, and the taxman took a considerable quantity. Nonetheless, Frieda says, she will be able to sleep simple now. The Benin head purchased look after her household, and property for her kids.

Frieda is married to a person of Caribbean descent – and her son is a journalist.

A couple of years in the past he wrote an article about how the Edo – the folks of the Benin Kingdom – tried to cease the sale at Sotheby’s of a Benin ivory masks.

In actual fact, though he didn’t know this, it was a masks that his great-grandfather, William Ohly, displayed at his gallery in 1947.

The article described Edo outrage that the household who owned the masks – kin of a British official who looted it in 1897 – ought to revenue from what they thought to be theft and a battle crime.

Frieda is just too clever and delicate to not recognize the layers of irony behind her story. She had adopted the arguments about whether or not the Benin Bronzes must be returned to Nigeria.

Britain has legal guidelines to allow the return of artwork looted by the Nazis, however there isn’t a comparable laws to cowl its personal colonial interval.

“A part of me will at all times really feel responsible for not giving it to the Nigerians… It is a murky previous, tied up with colonialism and exploitation.”

Her voice trailed off.

“However that is previously, a lot of governments aren’t steady and issues have been destroyed. I am afraid I took the choice to promote. I stand by it. I wished my household to be safe.”

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Frieda is just not the one proprietor of Benin Bronzes who has wrestled with their conscience lately.

Mark Walker, a physician from Wales, returned two Bronzes which had been taken by his grandfather, an officer on the 1897 expedition.

Edun Akenzua (L), a Nigerian prince, speaks with retired hospital consultant Mark Walker (R) who holds two bronze artefacts he returned to the Benin Kingdom during a ceremony in Benin City, Nigeria, on 20 June 2014

Mark Walker (R) was feted in 2014 when he returned an oro chook and a bell to name ancestors stolen by his grandfather

He obtained a hero’s welcome in Benin Metropolis.

Others are hesitant. In an imposing west London mansion block I met an aged lady whose grandfather additionally looted Bronzes in 1897.

Ten, and even 5 years in the past, it might not have been troublesome to get any person in her place to speak. However in the present day the homeowners of Benin Bronzes are cautious, and I agreed to cover this lady’s id.

She confirmed me two brass oro “prophecy birds”. I requested in the event that they made her really feel uncomfortable.

“I’ve felt misgivings, issues that crossed my thoughts… Possibly misgivings is just too sturdy a phrase. I do not really feel like giving them something.” There was an extended silence.

“,” she stated, “one bumbles alongside for 77 years, and all of the sudden this has turn into a delicate topic. It by no means was earlier than.”

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Frieda and I left the Tate and had been strolling alongside the Thames.

I used to be about to say goodbye. Unprompted, she returned to the Benin Bronzes.

Typically, she stated, she wished her father had offered that head when he was nonetheless alive.

A dilemma would have been taken out of her palms.

“It was troublesome for me,” she stated once more. “A part of me felt we should always have given it again.” Then she was gone.

Battle for the Benin Bronzes:

A Benin Bronze plaque depicting warriors of the oba on display at the British Museum

A Benin Bronze plaque depicting warriors of the oba on show on the British Museum

  • A group of intricately made brass and bronze sculptures and plaques from the palace of Oba Ovonramwen Nogbaisi

  • Created by specialist guilds working for the royal courtroom

  • The plaques present a historic file of the Kingdom of Benin, together with the primary contact with Portuguese emissaries

  • Lots of the items had been made for ancestral altars of previous kings and queen moms

  • The time period “Benin Bronzes” can be used to consult with artefacts comprised of ivory, leather-based, coral and wooden

  • In February 1897, the British launched a punitive expedition towards the dominion after seven British officers and merchants had been killed

  • Benin Metropolis was overrun; British forces looted the Royal Palace, which was burnt down. The oba, or king, was despatched into exile

  • Museums in Europe have agreed to lend on rotation a few of their bronzes to a brand new museum to be inbuilt Benin Metropolis greater than six a long time after Nigeria’s independence

Nigeria’s alternative for return of Benin Bronzes

Barnaby Phillips is a former BBC Nigeria correspondent. His ebook Loot; Britain and the Benin Bronzes can be revealed on 1 April.

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